Domestic Total: 13.73K
Opening Weekend: 4.82K
Legs: 2.85
Overview: Paris, France, 1942, during the Nazi occupation. Robert Klein, a successful art dealer who benefits from the misfortunes of those who are ruthlessly persecuted, discovers by chance that there is another Robert Klein, apparently a Jewish man; someone with whom he could be mistakenly identified, something dangerous in such harsh times.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 18, 2022 | $1,521 | + 0.00% | 1 |
| Sat, Mar 19, 2022 | $1,763 | + 15.91% | 1 |
| Sun, Mar 20, 2022 | $1,538 | -12.76% | 1 |
| Mon, Mar 21, 2022 | $655 | -57.41% | 1 |
| Tue, Mar 22, 2022 | $1,095 | + 67.18% | 1 |
| Wed, Mar 23, 2022 | $1,318 | + 20.37% | 1 |
| Thu, Mar 24, 2022 | $1,017 | -22.84% | 1 |
| Fri, Mar 25, 2022 | $808 | -20.55% | 2 |
| Sat, Mar 26, 2022 | $1,203 | + 48.89% | 2 |
| Sun, Mar 27, 2022 | $838 | -30.34% | 2 |
| Mon, Mar 28, 2022 | $441 | -47.37% | 2 |
| Tue, Mar 29, 2022 | $668 | + 51.47% | 2 |
| Wed, Mar 30, 2022 | $431 | -35.48% | 2 |
| Thu, Mar 31, 2022 | $439 | + 1.86% | 2 |
| Name | Character |
|---|---|
| Alain Delon | Mr. Robert Klein |
| Jeanne Moreau | Florence Klein |
| Francine Bergé | Nicole |
| Juliet Berto | Jeanine |
| Jean Bouise | Seller |
| Suzanne Flon | Doorwoman |
| Massimo Girotti | Charles |
| Michael Lonsdale | Pierre |
| Michel Aumont | Jew Affairs Section Official |
| Roland Bertin | Newspaper Director |
| Jean Champion | Diener |
| Etienne Chicot | Policeman |
| Magali Clément | Lola |
| Gérard Jugnot | Photographer |
| Hermine Karagheuz | Young Worker |
| Jacques Maury | Professor Montandon |
| Fred Personne | Police Commissioner |
| Francine Racette | Françoise / Cathy / Isabelle |
| Isabelle Sadoyan | Examined Woman |
| Louis Seigner | Mr. Klein's Father |
| Elisabeth Kaza | N/A |
| Carole Achache | N/A |
| Lucienne Le Marchand | N/A |
| Rosine Rochette | N/A |
| Maurice Vallier | N/A |
| Pierre Vernier | Policeman |
| François Viaur | N/A |
| Joseph Losey | Un Homme au Vel d'Hiv (uncredited) |
| Brigitte Ariel | (uncredited) |
| Marius Balbinot | (uncredited) |
| Maurice Baquet | Un Musicien (uncredited) |
| Philippe Brizard | (uncredited) |
| Jenny Clève | (uncredited) |
| Raymond Danon | (uncredited) |
| Christian de Tillière | Le Commissaire-Priseur (uncredited) |
| Michel Delahaye | (uncredited) |
| Bernard-Pierre Donnadieu | Extra (uncredited) |
| Pierre Frag | Le Marchand de Journaux (uncredited) |
| Mireille Franchino | (uncredited) |
| David Gabison | Le Groom (uncredited) |
| Maurice Jany | Le Chauffeur à Ivry-Bataille (uncredited) |
| Stephane Quatrehomme | Le Fils de Pierre (uncredited) |
| Jean Topart | La Voix du Speaker (voice) (uncredited) |
| Danielle Verne | Une Déportée (uncredited) |
| Dany Kogan | Michelle |
| Thierry de Brem | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Week 1: $8.91K
Week 2: $4.83K
Investor Share: $2.66K
Week 3+: $0.00
Investor Share: $0.00
$5.07K (26.96%)
Investor Share: $1.77K
Budget: $N/A
P&A: $N/A
Gross: $18.8K
Net: $9.77K
Costs: $0.00
Profit: $9.77K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.