Domestic Total: 762.53K
Opening Weekend: 73.7K
Legs: 8.47
Overview: When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.
| Name | Character |
|---|---|
| Eva Melander | Tina |
| Eero Milonoff | Vore |
| Jörgen Thorsson | Roland |
| Ann Petrén | Agneta |
| Sten Ljunggren | Tina's Father |
| Kjell Wilhelmsen | Daniel |
| Rakel Wärmländer | Therese |
| Andreas Kundler | Robert |
| Matti Boustedt | Tomas |
| Tomas Åhnstrand | Stefan |
| Josefin Neldén | Esther |
| Henrik Johansson | Patrik |
| Ibrahim Faal | Nursing Assistant |
| Åsa Janson | Nurse |
| Donald Högberg | Receptionist |
| Krister Kern | Policeman |
| Viktor Åkerblom | Ulf |
| Robert Enckell | Heikki |
| Elisabeth Göransson | Older Woman |
| Aksel Dis | Anton |
| Asli Dis | Anton's Mother |
| Hugo Ljunggren | Teenager with a Cap |
| Glenn Hasselberg | Bartender |
| Isra Nur | Cashier |
| Åsa Johansson | Ambulance Nurse |
| Kardo Razzazi | Voice 1 (voice) |
| Natalie Minnevik | Voice 2 (voice) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| T2 Trainspotting | Jan 27, 2017 | $18M |
| American Animals | Jun 1, 2018 | $3M |
| And the Whole Sky Fit in the Dead Cow's Eye | Oct 1, 2016 | $0 |
| American Pastoral | Oct 20, 2016 | $10M |
| Last Rampage | Sep 22, 2017 | $0 |
| Thelma | Sep 15, 2017 | $6M |
| Z for Zachariah | Aug 13, 2015 | $0 |
| Their Finest | Feb 19, 2017 | $12M |
Week 1: $108.76K
Week 2: $89.75K
Investor Share: $49.36K
Week 3+: $564.02K
Investor Share: $282.01K
$1.29M (62.85%)
Investor Share: $451.53K
Budget: $N/A
P&A: $N/A
Gross: $2.05M
Net: $848.16K
Costs: $0.00
Profit: $848.16K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.