
Domestic Total: 121K
Opening Weekend: 121K
Legs: 1.00
Overview: Growing up in the Amazon rainforest gave Autumn the rarest of friendships – a lost jaguar cub she named Hope. When a tragic event forces her to leave Hope for New York City, she dreams of going back to the rainforest and her friend. That opportunity soon comes when Autumn decides to return to the Amazon to save her beloved jaguar from animal traffickers who threaten her childhood village.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 17, 2025 | $33,000 | + 0.00% | 605 |
| Sat, Jan 18, 2025 | $46,000 | + 39.39% | 605 |
| Sun, Jan 19, 2025 | $42,000 | -8.70% | 605 |
| Name | Character |
|---|---|
| Lumi Pollack | Autumn Edison |
| Emily Bett Rickards | Anja |
| Wayne Charles Baker | Oré |
| Paul Greene | Saul Edison |
| Kelly Hope Taylor | Doria Dargan |
| Lucrezia Pini | Celya |
| Letitia Brookes | NYC Airport Ground Staff Hostess |
| K.C. Coombs | Mrs. Burley |
| Airam Camacho | Autumn Edison (child) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Love, Kennedy | Jun 2, 2017 | $0 |
| Sirocco and the Kingdom of Winds | Dec 13, 2023 | $0 |
| My Donkey, My Lover & I | Sep 16, 2020 | $0 |
| April and the Extraordinary World | Nov 4, 2015 | $10M |
| Okko's Inn | Sep 12, 2018 | $0 |
| Petite Maman | Jun 2, 2021 | $3M |
| Thabo and the Rhino Case | Nov 9, 2023 | $0 |
| Mia and the White Lion | Aug 2, 2018 | $10M |
Week 1: $121K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$11.44M (98.95%)
Investor Share: $4.01M
Budget: $N/A
P&A: $N/A
Gross: $11.56M
Net: $4.08M
Costs: $0.00
Profit: $4.08M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.