Domestic Total: 2.37M
Opening Weekend: 2.37M
Legs: 1.00
Overview: Five years on from when Joy said goodbye to Ethan and Hong Kong to pursue her dreams in Canada. After fighting for their love to conquer the time, distance and a global shutdown that kept them apart, Joy and Ethan meet again in Canada but realize that they have also changed a lot, individually.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 15, 2024 | $940,000 | + 0.00% | 248 |
| Sat, Nov 16, 2024 | $850,000 | -9.57% | 248 |
| Sun, Nov 17, 2024 | $580,000 | -31.76% | 248 |
| Name | Character |
|---|---|
| Kathryn Bernardo | Joy Marie Fabregas |
| Alden Richards | Ethan Del Rosario |
| Joross Gamboa | Jhim |
| Valerie Concepcion | N/A |
| Kevin Kreider | Uno |
| Jennica Garcia | N/A |
| Ruby Rodriguez | N/A |
| Jobert Austria | N/A |
| Mark Labella | N/A |
| Marvin Aritrangco | N/A |
| Wendy Froberg | N/A |
| Kakai Bautista | Sally Daraga |
| Lovely Abella | Gina Mariquit |
| Jeffrey Tam | Carlo Nicolas |
| Jameson Blake | Edward Del Rosario |
| Anthony Jennings | N/A |
| Maymay Entrata | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Hows of Us | Aug 29, 2018 | $0 |
| Premature | Feb 21, 2020 | $0 |
| Undine | Jul 1, 2020 | $0 |
| Fitoor | Feb 12, 2016 | $0 |
| Ae Dil Hai Mushkil | Oct 27, 2016 | $0 |
| Sultan | Jul 6, 2016 | $10M |
| Prem Ratan Dhan Payo | Nov 11, 2015 | $23M |
| Language Lessons | Sep 10, 2021 | $0 |
Week 1: $2.37M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$872.72K (26.91%)
Investor Share: $305.45K
Budget: $N/A
P&A: $N/A
Gross: $3.24M
Net: $1.73M
Costs: $0.00
Profit: $1.73M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.