Domestic Total: 15.83K
Opening Weekend: 7.75K
Legs: 2.04
Overview: A woman whose visit to a hair salon turns into a nightmare when she is blackmailed by its owner.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 4, 2022 | $2,570 | + 0.00% | 30 |
| Sat, Mar 5, 2022 | $3,135 | + 21.98% | 30 |
| Sun, Mar 6, 2022 | $2,047 | -34.70% | 30 |
| Mon, Mar 7, 2022 | $961 | -53.05% | 30 |
| Tue, Mar 8, 2022 | $1,458 | + 51.72% | 30 |
| Wed, Mar 9, 2022 | $1,379 | -5.42% | 30 |
| Thu, Mar 10, 2022 | $1,128 | -18.20% | 30 |
| Fri, Mar 11, 2022 | $521 | -53.81% | 14 |
| Sat, Mar 12, 2022 | $749 | + 43.76% | 14 |
| Sun, Mar 13, 2022 | $496 | -33.78% | 14 |
| Mon, Mar 14, 2022 | $272 | -45.16% | 14 |
| Tue, Mar 15, 2022 | $279 | + 2.57% | 14 |
| Wed, Mar 16, 2022 | $397 | + 42.29% | 14 |
| Thu, Mar 17, 2022 | $436 | + 9.82% | 14 |
| Name | Character |
|---|---|
| Maisa Abd Elhadi | Reem |
| Ali Suliman | Hasan |
| Manal Awad | Huda |
| Samer Bisharat | Said |
| Omar Abu Amer | Noor |
| Kamel El Basha | Doctor |
| Jalal Masrwa | Yousef |
| Angham Khalil | Eza |
| Ibrahim Arafa | Car Driver |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Destroyer | Dec 25, 2018 | $9M |
| Dreamland | Nov 27, 2019 | $0 |
| An Acceptable Loss | Jan 18, 2019 | $0 |
| Cop Car | Jul 8, 2015 | $800K |
| The Wall | May 12, 2017 | $3M |
| Regression | Oct 1, 2015 | $20M |
| Thoroughbreds | Mar 9, 2018 | $0 |
| All I See Is You | Aug 10, 2017 | $30M |
Week 1: $12.68K
Week 2: $3.15K
Investor Share: $1.73K
Week 3+: $0.00
Investor Share: $0.00
$31.82K (66.78%)
Investor Share: $11.14K
Budget: $N/A
P&A: $N/A
Gross: $47.64K
Net: $20.47K
Costs: $0.00
Profit: $20.47K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.